Wednesday, March 19, 2014

Your Own Personal (and Private) Jesus

I was recently (February 2014) asked to write a 500 word article/commentary for the Religion section of the local newspaper. I discovered how very difficult is it so write something of substance, make your points and explain those points in just 500 words! My first revision of the article was over 800 words... far too much, so I had to take a more minimal approach, constantly editing down, reducing my number of points, cutting, simplifying and being as succinct as I could.... Even with all that, I went over a bit (by 11 words!) Fortunately, the paper was accommodating. Here's the final text of the article as submitted.




Your Own Personal (and Private) Jesus

As a follower of Jesus Christ, I want my life (and my thoughts) to honor Him. That can be difficult when, wherever I go, I am surrounded by a culture that thrives on sensuality and selfishness. Spiritually, I feel like I’m always on defense, continuously having to “avert my eyes” and my mind. According to a 2012 Gallup poll, 77% of Americans “identify with a Christian religion.” If that’s the case, why doesn't our nation better reflect Christian values?

There are many reasons. I’ll focus on two. First, let’s be honest, most Christians are far too caught up in the pleasures and distractions of this world. We are surrounded by images that stimulate not only our senses, but our desire to WANT things. We spend our time chasing after possessions, ideals and fantasies that have no value whatsoever in God’s Kingdom. Secondly, we've bought into the idea that we should keep our faith in Jesus private. The culture tells us… “Let’s not make others uncomfortable,” so we comply, keeping our Jesus-faith “personal” and hidden. We walk around in “secret,” blending into the busy, always-in-a-hurry world around us.

The result? Many Christians don’t look like Christians. We look like everyone else. We talk to our friends/family/coworkers about the latest movies, games, gadgets and politics… but not Jesus. We remain spiritually anonymous, which begs the question… if the people around us don’t see Christ in us, are we truly being Christians? Think about it (1 John 1:6).

In Matthew 5:13-16 Jesus says that we are to be the salt and light of the earth. Salt is meant to add flavor. It’s not intended to “blend.” It’s supposed to enhance, and if it doesn't Jesus says, it’s “no good for anything.” Light also has a purpose… to shine, to be seen, to light up the dark, and to “glorify your Father in heaven.” Jesus intends that His followers be salt and light. He wants them to be noticed, seen, heard and observed. Jesus did not intend for Christians to remain anonymous, because HE is not anonymous.

While not all of us are called to be pastors or teachers of the Word, we are all called to be ambassadors of Christ (2 Cor. 5:18-20, Col. 3:17). As His ambassadors, we should represent Him wherever we go, encouraging others to seek reconciliation with God through Jesus Christ. God put us in a specific job/city/school/place for that reason, so that when others look at us, they see Jesus reflected, reaching out to a lost world, offering forgiveness, peace, and hope of everlasting joy.

Go take a look in that metaphorical mirror. Do you reflect Jesus? What do people see when they look at you? Does Jesus ever enter into your conversations? Do you encourage others with scripture? Do you pray with those who are hurting?

My words of salt to you: if you call yourself a Christian, make sure that in all you do, all you say, everything you post on Facebook… you reflect Jesus Christ. Let His light shine through you (Eph. 5:7-14), drawing others out of the darkness. If every Christian did that, our culture would be a little less dark.

David Nevue

An abandoned church in Locust Grove, OR. Photo by David Nevue.

Thursday, March 13, 2014

Interview with David Nevue: On Playing and Arranging Hymns for Solo Piano....

On February 17th, 2014, I was sent a list of questions by a college student who was assigned a research project for his music education courses. The subject of his research: the modernization of hymns. A fan of my solo piano music, the student sent me this list of questions about hymns and my overall approach to arranging them. I hope you enjoy it! Now, to the questions...

What drew your attention/interest toward hymns?

I grew up singing hymns in the church... but as a kid I never liked them much. I remember one of my early piano teachers trying to teach me how to play hymns and I completely resisted... I didn't want to be a "church hymn player." Of course, I was twelve at the time. In my late teen years, I discovered an album (an LP, remember those?) in a used record store bin called The Vigil by Kemper Crabb. I just loved the album artwork, and so bought it unheard. That record became one of my favorite records of all time. Included on the record was an arrangement of Be Thou My Vision that just really spoke to my heart. And that was when the tide started to turn. I created my own arrangement of Be Thou My Vision for my third CD, The Last Waking Moment. That was the first "hymn" arrangement I recorded. In fact, it was the very first song I ever released that was not my own original composition. And my fourth album, The Vigil, was conceptually inspired by Kemper Crabb's album of the same name. That's how much that record impacted me.

How did the form and structure of original hymns influence the harmonies and structure of your arrangements?

To be honest, I'm not sure that "hymn form and structure" had any influence on me at all... I've never thought about the songs that way. For me, it's all about the melody. And of course, the melodies of the great hymns, well, they have lasted for generations for good reason. The melodies are incredibly memorable and instantly recognizable. And when arranging hymns, the melody has to be the main thing. You can deviate a little, and you can take some creative liberties, but the substance of the arrangement... it really needs to hang on that melody. Otherwise you start to lose touch with the heart and voice of the original hymn.

Did the text of the original hymns influence your writing?

Yes and No. No, in that I don't think the text of the hymns had any influence over how I arranged the songs, per se, but YES, in that that text did impact how I approached the songs on a spiritual level. While working on them, the words of hymns drew me inward toward God... almost like moving closer and closer to His throne. So there is a seriousness, an awe and a reverence that goes along with that. I have really come to view the hymns as sacred... the words are so deep, so passionate and they resonate with my Spirit. They 100% speak the truth unashamedly and there is no holding back. They are a deeply felt response to God's grace, forgiveness, and Christ's death on the cross and resurrection. With the classic hymns, there is no sense of "let's make this song palpable to the general public." When you compare modern contemporary worship music to the great hymns, there is simply no comparison lyrically. Not to knock contemporary worship, I love a lot of the modern songs, but they are basically lyrical fast food, and for the most part, they don't require us to think too deeply. Whereas the classic hymns... well, dwell on those words, really consider them, and they penetrate your heart on a deeper, maybe even life-altering level.

What was your inspiration for your piece Eden Again ?

My belief that the day is coming when God will redeem all of his creation and return it to its original state, uncorrupted by sin and the fall. Essentially, "Eden" again. The song looks forward to the events spoken of in Revelation 21 and 22, when God dwells with us here on Earth once more. Just as it was in the Garden of Eden, when God met and walked with Adam and Eve, so it will be then when God dwells with us (Rev: 21:3).

Why do you write for solo piano?

Ultimately, it's because as a solo pianist, I have complete control over the output. I don't have to rely on anyone else to do their part. When I was young and in college, I played in a few rock bands. Nothing came of those years (aside from some great friendships!) but I did discover one of the problems of working with others to create music... there are lots of clashes of opinion and personality. Those clashes can result in some amazing music, but it's also very volatile. Musicians, you see, are generally very sensitive people. We're insecure, subject to ego, and emotionally tied up in what we create musically. So during my "band years" I struggled with all those things. I didn't want to feel that my musical success was dependent on other people. So... that was when I first started composing for solo piano. I found the process much more peaceful. Less angst. And the only person I had to worry about playing a part perfectly was myself. And as a bonus... it's much easier (and less expensive) to record a quality solo piano album than it is to record an album featuring multiple personalities and instruments.

In regards to your albums, how do you decide the grouping of your songs?

Generally speaking, I am telling a story with the music... not only with the songs, but with the album as a whole. So the scope of the story I am telling over the course of the album will determine, to some degree, the order the songs appear in. Key signatures and the general feel of the songs affect the song order as well. All of those elements play a big part.

Why do you have some albums that are specifically dedicated to hymns while other albums have hymns interspersed?

Adoration: Solo Piano Hymns
Well, when I started composing, I never had any intent to record hymns at all. That wasn't in the plan early on. I mentioned earlier the story of Be Thou My Vision and how that came about for my 1997 album The Last Waking Moment. That was just a one-off thing. I did it because the song spoke to my heart, and I was drawn to it. The next album that I put a traditional hymn on (if you don't count my Christmas album or my arrangement of Jesus Loves Me on my album Sweet Dreams & Starlight) was Overcome. That album, released in 2005, was dedicated to my father, who I had lost to cancer in 2003. My father was a great man of faith. He was a pastor, evangelist and missionary, and in composing the album in his honor, I felt led to include a couple of hymn arrangements that were his favorites... so there are two hymns on that album, plus three praise song arrangements. During the process of arranging the hymns for Overcome I dug out my hymnal and really started to read the words of the hymns for first time. I started flipping through the pages and memories came flooding back... memories of singing those old songs with my family in church. And it was at that point, that I really fell in love with the hymns. That's when I started reading the words and realized what a treasure they are. And those moments at the piano with the hymnal put the desire in my heart to sit down and arrange some of my favorites. And that led to next album, Adoration: Solo Piano Hymns, which is entirely made up of hymn arrangements. The following album, Revelation: Solo Piano for Prayer & Worship, contains five hymns, ten praise song arrangements, and a couple of originals. Revelation was a complete accident. Most of the album was improvised and recorded during the Adoration sessions. So again, that album really was the work of the Holy Spirit. Not something I planned... total a God thing. After that, the only hymn I've recorded was For the Beauty of the Earth for my most recent album Open Sky. I heard the tune, got an idea for arranging it, and it fit very nicely within the context of the album... so I used it. So that's the story of the hymns so far.

Where is your preferred location to write your music? Do you take a keyboard outside (I noticed that a lot of your pieces are titles reflecting nature)? Take a photograph? Or do you just imagine the location you are writing about?

It's all in my head and in my heart. I compose the music on my piano in my living room. However, I also arrange the songs in my head when I'm out and about and especially just before I go to sleep. I hear the tunes in my head and I work on them, and then I'll take new ideas to the piano the next day when I'm at a place where I can sit down at the piano.

And there you have it. I hope you enjoyed the interview!

Tuesday, November 19, 2013

What Sustains Me? How Do I Do it All?

A friend of mine asked me this question last night....

"For years I've always been in awe of your energy to get things done; to devote time to your family, your touring, your recordings, your church, etc... How do you have so much energy? What do you think it is that sustains your energy?"

I thought about it for a moment, and here's how I answered...

Wow, what a question. It's nice to know that I am perceived this way. 

I don't know that you'll like my answer as it's going to sound a little cliche... but really, it's a God thing. 

Everything I do in music really is an expression of my faith ultimately. I see myself as a servant of the Most High King...   I believe that God has given me certain gifts... music yes, but also the gifts of administration, marketing, communication, writing and even theater (my performances). And since I believe God designed me specifically to do these things, I feel like these things are a part of my "purpose."  And so in applying myself to this purpose... in doing the very thing that I know God designed me to do... it brings me joy and peace. And it's that joy that keeps me going. 

But sometimes, it can still be a struggle to stay motivated when I am doing things that don't obviously seem to be a part of my "purpose." Because the reality is, God uses all kinds of things to bring us into His will for us... and sometimes they are not obvious. I mean, when I spent ten years working at Symantec doing customer support and quality assurance work, I didn't really feel like I was working in my gifts (well, I was, but not in the way *I* wanted to), and yet God used those years to mold me into who I am now.

So really, I find that a lot of my prayer time is asking God to lead me, and to give me patience to wait for Him to reveal his plan for me, because I don't always see it. And being content in all things, in all situations, bad and good, is not an easy thing to do. But the longer I live, and the more of my life that I have lived, the more I look back and see how God used everything (even what I perceived as bad) to bring me to where I am now... and so that strengthens my faith. And seeing that also gives me the strength to keep on going.

Each day that we have is a gift from God. Every moment we have with our family is a gift. And so in all things, I try and take those gifts and give them back to God. And doing that requires an heart of thankfulness... and I also think it takes a humble heart... one that is willing to submit to God, to yield to Him and to simply say "Thank you, forgive me for my selfish ways... give me patience, wisdom, and help me to conform to your purpose."

I could say so much on this topic... I am typing stream of conscious here a little bit... but I hope that it makes sense. 

To sum it up... I have a lot of joy in what I do because I see God's purpose in it and because I try to give every moment back to God in thankfulness. And the more I see God's hand in my life, the more that encourages me to keep on going, even when I feel like I sometimes don't have the physical (or emotional) strength to do so. And if I fall down on one particular day (more days than I like), I just start over again the next one, because God's mercies are new every morning... and even if I am not always faithful to do what I'm supposed to, God is always faithful to do what He does. 

-----

As a follow up to this... 

Check out Ephesians 2: 1-10, but especially verse 10, which speaks to this...

I particularly like the NASB translation... 

"For we are His workmanship, created in Christ Jesus for good works, which God prepared beforehand so that we would walk in them."

It reflects the idea that one, we are crafted carefully by God (as an artist would design his masterpiece), designed specifically for doing the good works that God prepared for us to do before we were even born... 

So as God's artwork, I think we are happiest when we do the things He crafted us to do. 

If you think of it that way, with God being a great artist who designed us for a specific purpose, you can see why if we deny His existence (or even just ignore Him) and go our own way and chase after our own selfish desires without any thought for Him, it leads to not only eventual unhappiness, but also a great feeling of loneliness and emptiness that we have a hard time filling. 

When we are out of His purpose for us, we are completely out of sorts... because we are going at it alone and because I believe innately....subconsciously...  we realize we are actually out of step with God's design for us... but we don't want to admit to it because we want to serve ourselves with earthly pleasures. So truly, without Jesus we are "lost," wandering aimlessly from one thing to another... filling our soul with empty things... like blind men. 

So right now... I'm going to go and submit to my purpose, which at this moment is practicing the piano!

David

Tuesday, April 09, 2013

Open Sky: The Story of the Album....

Open Sky






















Within just a few short weeks, I'll be releasing my new album, Open Sky, to the world. This project has been a long, long labor of love.... and that is an understatement. I don't know that I have ever worked so hard on a project... or for so long. I am ready to release this puppy, let it go, and move on with my life.

That said... if this the last music I release to the world... then I'll be OK with that. This album really feels like a capstone. Like the final icing on a "David Nevue" cake. I don't know that I can ever outdo this.

I am so thankful to God for my life... and for filling my heart and hands with music. He has been so good to me... to my family. All around are blessings.

And so, now that we are only a month or so out before many of you begin to hear the music, I thought I would share the liner notes with you... this will give you a little insight into the album and the music it contains..

Enjoy...

Out Under the Open Sky...

I have always been rather prolific when it comes to writing music. No matter where I am in life or how busy I am, I can't seem to stop the flow of new material that comes bursting from my soul. So even though I spent most of my creative time between 2005 and 2009 arranging and recording hymns and praise songs for my Adoration and Revelation album projects, I continued to compose my own original music on the side. By 2010, I had a stockpile of original works that I was anxious to record and release.

Songs from that "stockpile" finally started to see the light of day in 2011 when I announced A Delicate Joy, a cheerful album of light, bright music. That album featured all the "sweet, peaceful, happily-ever-after" style tunes that I had composed (but not released) up to that point. Once that was finished, I was left with a dozen songs that didn't fit into the Delicate Joy concept... songs that were more driving, edgy, experimental and even melancholy. It's those remaining compositions (plus a few new ones) that now make up this album, Open Sky.

Open Sky begins with the title track, which to me feels a little like the "Wild, Wild West." It's a song about freedom, exploration and the exhilaration that comes from seeing and experiencing new things. I picture myself out on the open road, driving with the windows down, enjoying The Sound of Sunshine and the amazing landscape around me. It is a celebration of those "wide awake moments" when you feel truly alive, almost as if you were somehow standing a little closer to heaven.

Dragonflies and Butterfly Dance are basically musical paintings. Two flying creatures, two very different moods. When our family visited the Badlands in South Dakota, dragonflies flitted about everywhere, zipping to and fro. Dragonflies is an attempt to capture that cadence. As for Butterfly Dance, during a visit to Yellowstone, I watched a butterfly dance its way around a dozen boiling, steaming mud pits. That picturesque moment stayed with me. Butterflies are such carefree creatures.

For the Beauty of the Earth is a hymn arrangement and the first of four "cover songs" on the album. The tune just struck me one day and I started exploring it on the piano. It seemed appropriate to include. Forgotten Places takes me back a few years to when I took my family on a self-guided tour of abandoned churches and ghost towns in Eastern Oregon. There's something quite sobering about visiting places that have faded away into history. As you walk among the empty, broken buildings, you can almost feel the weight of time.

Undertow was composed in 1987 and was originally part of a soundtrack I wrote (on synthesizer) for a theater production of C.S. Lewis' book, "The Screwtape Letters." I've always liked the energy of the piece, and decided it was high time to reinvent it for solo piano.

I first performed Scarborough Fair as an improvisation with two other pianists at a concert in Albuquerque, NM. I liked what I came up with so much, I just had to keep working on it. It's really fun to play! As for Summer Rain, it reminds me of my time living in Colorado, and those summer afternoon storms that would quickly appear, pour down rain and lightning, and then disappear all in the space of about an hour.

Distant Thunder is an improvisation left over from my Revelation recording sessions. I've only ever played the “song” once and that was purely by accident. I just happened to be recording when the "accident" happened. When my wife heard the tune, she commented that she could hear distant thunder in the piece. I thought that was the perfect image for it.

Twister is a real challenge to perform. You can't fake your way through the song or play it half-heartedly. It only works if you go for it! One of my happiest achievements with this album was to finally get a recording of Twister that I was mostly satisfied with. Swirling and intense, it's a real finger-twister!

The Water is Wide is my take on the traditional English melody. I've always liked the tune. Haunting, dreamy and pensive.

Dark Afternoon was composed in the late 1990's. The tune was originally called Nails as it represents Jesus' dark afternoon on the cross. The composition was part of a musical Passion Play that I performed on a few occasions for Easter and Lent. An early recording of this song was released in 2002 on a short-run CD called Foreshadows. Only a few copies of that CD were ever made, so if you happen to own one, treasure it. It's very rare.

Echo Canyon is the newest piece on this collection, written just a week before I went into the studio to record this album. I was noodling around on the piano and my son walked in and said "I really like that... what is it?" I told him I was just messing around. Five minutes later my daughter walked in and said the exact same thing. At that point, I decided to try recording the song. The key to this composition working at all are the dynamics. They add a sense of mystery, power and purpose. To me, it feels like walking in a very ancient, remote place. Thus, the title.

Stargazing takes me back to a late night road trip across the Utah desert with my family. The night sky was as clear as I'd ever seen it, so I pulled off the highway onto a secluded road and woke up the kids. We all got out of the car and marveled at the starry, starry sky.

I started writing Eclipse around 2006. I was showing the chord progression to my friend (and fellow pianist) Joe Bongiorno when he joined me at the piano and began improvising a melody over the top of what I was playing. That melody stuck with me... and changed the tune forever. It left me with two variations of the song; my "original" version and a "four hand" version (as played with Joe.) In the end, I combined the two versions, arranging the piece so that it could be played with just two hands (otherwise, how could I ever play it?) This hybrid is the result.

Finally, I was asked to play Morning Has Broken for a wedding and worked up this rendition. While I've never been partial to this particular song, I sure enjoy playing this arrangement. It's got a little edge to it. A fitting finale for the album, I think.

That sums it up. I really hope you enjoy this collection. It's been a long, long labor of love.

- David Nevue, April 2013. 

Wednesday, June 08, 2011

Coming Fall 2011: Awakenings: The Best of David Nevue: 2001-2010

I am excited to formally announce the soon release of Awakenings: The Best of David Nevue (2001-2010). We just finished the concept for the cover art design and I wanted to share it with you all...

Here it is!

Nice, eh? I really like it as it looks so unlike any of my other album covers. I think it's very striking. The photo was taken on location at Shiprock in New Mexico by my lovely wife, Julie. The art design is by my good friend Matt Strieby of Newleaf Design.

At any rate, this album will be a collection of fan favorites from my albums Postcards from Germany, Sweet Dreams & Starlight, Overcome, Adoration and Revelation.

Here's the tentative track list...

1) Overcome
2) Eden Again
3) Big Snow in Salzburg
4) Winter Walk
5) As the Deer
6) In God's Hands
7) Treasure Falls
8) The Kindness of Strangers
9) The Lion and the Lamb
10) Sweet Dreams & Starlight
11) The Gift
12) Wonderland
13) Greensleeves
14) Broken
15) Come Thou Fount of Every Blessing
16) Here I Am to Worship
17) Amazing Grace
18) The Amazing Accordion Man (Live)

I expect to release Awakenings in November... just in time for Christmas!

Also, my new album of original music, A Delicate Joy is on track for release on September 6th.

David Nevue
http://www.davidnevue.com

Thursday, January 06, 2011

Advice to an Aspiring Pianist and Composer...

Recently a young man, a piano major at University of West Georgia, emailed me about his music. He's a composer, has written a few songs of his own and is hoping for a career in the music business. In particular, he hopes to someday compose music for film.

He had two basic questions for me.
1) "Can I continue with composition after I finish college?"
2) "How did you get started?"

I took some time to write him a fairly detailed response, so I share this with all of you in case this will be of some help to you as well. I'm pretty straight-forward with him. This business is exceedingly hard to make a living in, so I paint the most honest picture I can, while at the same time trying to encourage him to pursue his art and passion.

Here's my response...

Yes, of course you can continue composing music after college! If that's something you want to do, then do it. That's not to say, however, that someone is going to pay you for it. So you need to ask yourself... is composition worth doing even if you're unrecognized and not getting paid for it? Would you be happy just composing on the side, as a means to express yourself, even if it's not paying the bills? Do you love doing it that much? Because, really, that's what's required.

Making a living in the music business is extremely difficult to do. I graduated from college in 1987. It took me until 2001 to be able to support my family with my music... so that's 14 years of hard work to get just to that point.

However, I composed music simply because I loved doing it. I started composing music for piano during college, and the only reason I recorded my first album was because it seemed like the obvious thing to do. I had written eleven songs, and so what else is there to do with them, but record? So I asked for some studio recommendations, picked one (I recorded at the home of Billy Oskay of Nightnoise), saved up some money and in 1991 I recorded my first album, "The Tower." I didn't record the album because I hoped to sell a million copies... I did it just to have a permanent record of my work, and I figured I could share it with folks I knew and maybe sell a few copies.

So that's how I started. I played coffee houses here and there and sold my album. While doing that, I kept writing new music. After three years, I'd saved up enough money to record a second album (While the Trees Sleep), so I went back in the studio again. I kept playing the very occasional show (I played in public maybe only 3-4 times a year at that point). But I kept selling music and I saved the contact info for everyone I sold an album to. When I released my second album, I informed all the folks that bought the first one, and most of them bought my second, which made it easier to financially support my third album (and so on).

And that brings us to 1995... that's when I started promoting my music on the Internet, and that opened me up to a whole new audience. I kept writing and recording, and kept promoting my music on the web. I released new albums in 1997 and 1999... each album got easier to do because I was selling enough copies by that time that it covered my recording costs and more.

In 2001 I released my first "best of" album (Whisperings) and quit my day job. I was making as much money from selling my CD and sheet music on the Internet as I was from my day job.

But it took years and years to get there. No one helped me. In terms of the music industry, no one was ever interested in me or my music. I built my own fan base. It's only in the last few years that the music industry has taken much notice of what I do, and I think that's in great part because I've outlasted so many other folks and because I'm one of the very few musicians who has managed to build a successful music career (and make a living at it) using the Internet. Even with that success, I think most in the industry see me more as a curiosity than anything else. :)

So now, back to you...

I tell you all this just so you realize what's ahead of you. It's a lot of hard work, and you really need to do your art because you love doing it, first and foremost. And then just do it. Find a way. Realize you'll probably have to work a "normal" job for a very long time in order to support yourself and your future family. I don't know if you're a Christian or a believer, but for me, I very much feel like God has led me to where I am now. I look back and see His hand in everything. And honestly, although I've put in the time and work over all these years, God is the one who blessed it. I really believe that without God's leading, I'd still be working a day job. So there is that spiritual element to all of this. If you are a Christian, just walk with the Lord and trust him to guide your footsteps. If He wants you to be a composer, and if that's what He's made you for, then that's what you'll do if you follow His leading.

Aside from that, the advantage you have now that I didn't have in 1987 is the Internet. You can put your creations out there for all to hear. Plus, in 2010 we have digital music distribution that ANYONE can get into, and thousands of Internet Radio broadcasts you can market your music on. It's much easier in 2010 to sell and market your music than it was in 1987. Trust me on this. However, the one thing that is different today is that in 1987, people expected to PAY for music. In this day and age, many folks expect to hear it for FREE. So while it's easy to be heard, it's not as easy to get folks to pay for it! That being said, I just had a record month in CDs sold online... so there are still people out there willing to pay. :) Also making up somewhat for the fact that folks aren't buying music as much as they used to are the royalties than can be earned from Internet radio. I'm making a good income with that now, as well, so even when folks hear your music on Internet radio, you can make a little something. It isn't much for single plays, but if you are successful and tens of thousands of people are hearing (and requesting) your music online, it really adds up.

As for writing for film, the film industry isn't something I know a lot about. I do know that getting into that "club" is extremely difficult. One of my good friends, Jace Vek, is a brilliant composer and has won three Emmys for his work on film and television (documentaries). And yet, as far as I know, he still hasn't gotten access to the "major motion picture" world yet.

I've gotten my music on lots of little independent film projects, but in those cases, folks approached me about it, asking if they could use my music for their projects. Most of the time, it doesn't pay much. Most folks don't have the budget. However, I enjoy the additional exposure it brings to my music.

So... it's a tough road, but if you love music, and you love composing, it's something you do because it brings you joy. And if you do THAT long enough, and use the Internet to market and distribute your music, maybe you'll find a little niche for yourself.

I hope that helps. I know it's not a lot of "do step one, then step two, and then step three type of advice," but there really are no magic steps. It's just got to be something you do because you love it. And hopefully, others will love what you do, too.

As a reference, you might check out my book, How to Promote Your Music Successfully on the Internet." That will be a great help for you along the way.

David Nevue
Solo Piano Artist & Creator of Whisperings: Solo Piano Radio
http://www.davidnevue.com
http://www.davidnevue.com/listen.htm
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Tuesday, April 20, 2010

A Delicate Joy - A Sneak Peak...

My next solo piano album is called "A Delicate Joy." It is mostly recorded, with just a bit more to do. Mastering/Editing will start in June. I am hoping to release the album by October.

This album will be almost entirely made up of my original music. There are a couple of exceptions... most notably my arrangement of "Morning Has Broken" and (possibly) "Down By the Sally Gardens." It's my first album of predominantly original work since 2005. I'm so excited to release it! It feels so good to be writing and recording my original music again.

I wanted to share the cover with you. This isn't final, but is very close...



That's my little girl, Noelle, from a photo shoot we did with her at the Woodburn Tulip Festival here in Oregon. Our family goes every year. It's a family tradition!

Anyway, I thought you'd want a sneak peak at what's coming!

David Nevue
http://www.davidnevue.com